
A Lenten Journey in search of God and the Christian Life through a Work of Fiction
Flying to Tombstone, a novel by Gordon McBride
Many of the theological ideas in Flying to Tombstone are found in two important books: Marcus Borg, The God We Never Knew (Harper, San Francisco, 1997) and Walter Wink, The Powers That Be (Doubleday, 1998). A discussion leader might well be acquainted with these two books, perhaps even using appropriate pieces of them. One should not feel obliged to do so, however. It might be fruitful to hand out questions in advance in each section to help point the direction you think is right for your group.
Session One. Finding God and Love in the Midst of the Life We're Given
The Last Sunday After Epiphany and Before; Ash Wednesday
(If the leader wants to follow the novel's time line, this first session might come near Ash Wednesday, perhaps even a few days before, though there is no particular reason why this study must happen during Lent.)
Reading Assignment: Prologue and Chapters 1-3
Flying to Tombstone is set on the Arizona border with Mexico. Much of the novel's action centers around the shared dilemmas of the American and Mexican governments, local Arizona ranchers and would-be immigrant laborers as the latter attempt to get into the United States. A great many web sites are available for obtaining insight into the border problems.
Father Jerry Hanning, his daughter Sadie, Maddie and Art Gronek, Virginia Vega and the Kate Becker are all introduced in the first chapters, as are other central characters. An underlying theme in many of their lives involves sickness, death, grief and the incomprehensibility of the whole idea of God in the face of human suffering. The study group in its opening discussion may agree that a solution to the border problem can be found among human institutions and is within the grasp of lawmakers, though they may not agree on what an appropriate solution might be. However, the first three chapters of the novel introduce a topic that certainly is beyond the control of any human agency: the inevitability of death and the human response to that certainty, including the pain, loss and suffering that is left in its wake. Art Gronek's death becomes a metaphor and catalyst for other experiences of loss—and perhaps that of the reader, as well.
Explore what the study group knows about border issues. What solutions do they see to the problem of economic inequality on the two sides of the border and the pressure it creates? Also introduce the associated question of racism. Invite the group into a preliminary conversation about the person of God. How does their understanding of God affect their sense of justice and compassion? What has been the group members' personal experience of unexpected death or the death of a young person? How has their faith been altered as a result of such an experience? Does the identification of death with "sin" seem appropriate?
Some questions arising out of the story line:
How would you have felt to be in the place of the Mexican workers crossing illegally into the US and trapped in the back of the white van?
How can a priest do the work of ministry with a shattered faith like Fr. Jerry's? What do think the state of his spiritual life might have been before the sudden death of his wife?
What is your initial reaction to Charlie Snow and his racism? To Hank Tucker, the vigilante ranch owner? To the anti-clerical Virginia Vega? To the Groneks?
In what ways is the Twisted-K Ranch important for Jerry and Sadie? Have you ever had a place like that in your life?
How does the conversation between Jerry and Art about Art's dying and the identity of God (pp. 34-39) resonate with you? Is death a necessary element in life's very vitality?
How is Maddie's reaction to Art's death similar to what Jerry had experienced with his wife's death? How well do their personal resources serve them in these crises? Who handles it better, the professional Christian religious leader or the agnostic cultural Jew?
How is Jerry's take on current events, particularly the border issues, formed by his own history? How have your life experiences shaped you?
As you get to know her better, do you like Kate Becker better or less?
What can we expect to see happen in Jerry's life in the near future?
Were you surprised by the developments at the end of Chapter Three?
Session Two. Life is Messy—No Matter How Carefully We Try to Manage it
The Week after Ash Wednesday; the First Sunday in Lent; the First Few Days of Lent I
Reading Assignment: Chapters 4-6
Fr. Jerry and his parishioners and friends confront what might be described as the Powers that Be. Child raising, which had always been easy for Jerry, suddenly becomes more complicated; two Lenten book groups begin; border issues become more intense; divisions begin to emerge in the St. Peter's congregation; the characters confront a distressing example of racism and Maddie turns up in the Tombstone group. Maddie begins to put her own life back together by taking up her formerly abandoned flying hobby and thinking of herself as having a professional life again.
Talk with the group about Walter Wink's term, "The Powers." Invite the group to discuss times when The Powers have intruded upon their lives. How did it feel to be so lacking in resources to cope with forces outside your control? How does the force of systems and institutions intrude upon even the best of intentions? What feels messy in your life right now?
Some questions arising out of the story line:
How have you responded when confronted by challenging new ideas in your belief system or your church? Should the Church resist change in order not to upset people, like, for example Mrs. Findlay or Silas Ruhl? What is the likely result of resistance to change? Do you see the Powers that Be in that mix of change and resistance to it?
What is the "angel" of your church? (See p. 77 or Wink.)
Does the term "the myth of redemptive violence" answer any questions for you about human society? (See p. 76 or Wink.) Does it open new ways for you to understand contemporary life?
Why is Charlie Snow challenged and angry by his book group's discussion? Did you have any personal buttons pushed here?
What challenges do Jerry and St. Peter's face with the merger of two small congregations? Why is Jerry so disappointed at the low attendance in church on the First Sunday in Lent? What were his hopes?
Are you surprised or shocked at the Tombstone group's conversation about God? (See p. 87 ff.) Or does it make them more real to you? Whose take on God comes closest to fitting your own? Why?
Do you share Maddie's outrage at the events at the roadblock? Why? Why not?
Where do you hope Maddie's life will lead her now?
Session Three. Finding God in Many Places and Shapes
The Continuation of Lent I; Lent II
Reading Assignment: Chapters 7-9
With the backdrop of a small, traditional Episcopal parish and two typical Lenten study programs, a variety pack of differing spiritualities come together in this portion of the book: Hank Tucker's natural spirituality versus the violation of the natural beauty of the region by rapacious exploitation of resources and people; Fr. Jerry's spiritual reawakening in the arms of Kate Becker; Maddie and Ike McWarder's mysticism and his making of Anglican Rosaries. Maddie begins a relationship with Cord, a young man she met at the Tombstone book group, and is introduced to the Bisbee artist community.
Invite the study group into a conversation about personal spirituality in this session. Are any of the experiences related in the novel similar to ones they have had themselves? Is there a cutting edge right now in their spiritual lives—a sense of movement?
Some questions arising out of the story line:
How does Charlie Snow's anger speak to the state of his spiritual life? Just what is a "spiritual life?"
Why is Silas Ruhl's response to illegal immigrants even more shocking to Jerry than Charlie Snow's anger and racism?
Review Jerry's mystical experience at the monastery (p. 58-60). Is this helpful in understanding what happens with Kate Becker? (You may wish to look ahead at a second mystical experience of Jerry's at St. Peter's, pp. 163-164. What do you make of this?) How can there be a connection between spirituality and sexuality? Has that been true in your own experience?
Is Maddie's experience with Cord easier, harder or just about the same to accept as the relationship between Jerry and Kate?
Have members of the group read any of the classics of western spirituality, such as Julian of Norwich, the Cloud of Unknowing, Meister Eckhart and others? What did they think of such writings?
Have any of the group's members had experience using a rosary—either the Catholic or the Anglican variety?
Does your God give you imperatives that must be obeyed or an invitation to which you might respond? Does God seem mostly to offer you judgment or relationship?
Session Four. Confronting the Reality of Violence
Lent II Continues; the Third Sunday in Lent and the Week Following; Lent IV
Reading Assignment: Chapters 10-13
In this section of the novel, Ginger Vega encounters the results of violence, racism and death once again when her lover, Harold, is killed attempting to get some castaway illegal immigrants safely to Tucson. Maddie uses her airplane to help look for the missing Harold and finds new friends in the Bisbee artist group, most importantly Ginger Vega. Jerry continues to develop his book groups, and tries to deal with his newly complex personal life. Jerry has a spiritual epiphany. Ike McWarder presents his Anglican Rosaries to the Tombstone study group. Jerry is asked to conduct a memorial service for Harold Jenkins at the dead man's studio, and his relationship with Kate Becker falls apart in shocking ways. Ginger and Maddie become directly involved with rescuing immigrants using Maddie's airplane and the abandoned Tombstone airport. Ginger is reunited with her children.
Invite the group to discuss moral imperatives, both with respect to personal sexuality and in obedience to the law. Is it ever okay for someone to define their own basis for obedience? Must law—both laws of the church and of the state—always be obeyed? Why/why not? What should be the Christian response to violence? What, if anything, must the Christian do in the face of injustice?
Some questions arising out of the story line:
Why do you think Ginger, Harold, Cord and the other members of the Bisbee group are willing to risk their lives, reputations and futures for the undocumented aliens?
What makes Maddie such a sympathetic friend to Ginger in her loss?
What influences begin to change Hank Tucker's attitude toward the UDAs?
How is the "Domination System" apparent in the lives of the novel's characters? Where is it in your life? (See p. 161 or Wink)
How is Harold Jenkins' death a turning point for the Bisbee study group?
What is the result of Jerry's mystical experience? (Pp. 163-167.) Have you ever had an experience of prayer that made you simply "love" everybody you encountered afterwards?
How well do Ike McWarder's rosary gifts fit the spiritual identities of each of the group members?
Why is Ginger thrown off base as she gets to know Fr. Jerry? Have you ever been surprised to discover that the Church and the clergy are something other than you expect them to be?
How does Jerry's sermon at Harold's memorial service reflect new directions in his understanding of God? Does this concept of redemption attract or challenge you?
When Kate's and Jerry's relationship collapses, does anyone seem to have been abused in it? How have each benefited?
What complex motives move Ginger and Maddie to aid illegal immigrants in such a direct way?
Are you surprised to learn the identity of Ginger's children?
Session Five. Combating the Powers
Mid Lent; the Fifth Sunday in Lent; Palm Sunday
Reading Assignment: Chapters 14-18
Jerry is stunned and heartened to learn of Hank Tucker's changing attitude toward the UDAs. The intensity over Maddie's flights with illegal immigrants mounts following Ginger's confrontation with the Border Patrol. Maddie has doubts about her relationship with Cord as she also begins to ask some fundamental questions about her own religious convictions. More and more she is drawn to her Jewish roots, and Jerry encourages her to explore in that direction. Meanwhile, vigilantes fire on her overloaded airplane as she picks up a load of immigrants, assisted by Cord. Jerry is brought into rescuing abandoned immigrants and dealing with the vigilantes. Jerry and Ginger tentatively explore the possibility of a relationship between them and find no "magic" there. The central characters confront the vigilantes at the Tombstone airport and begin to identify who they are. Jerry learns more about illegal immigrants and their plight. Jerry, Ginger and Maddie and their children have some serious conversation about death and loss as Ginger privately recognizes her personal redemption. The Curtains' marriage collapses amidst surprising revelations to Fr. Jerry by Jillian. Jerry's plane is sabotaged. He confesses to the bishop. Holy Week begins movement toward the climax of the story.
These chapters contain more action than ideas. Thus this week's discussion could go in a number of directions. Most of the theological points have already been made, and the ethical conflicts have been introduced. It might be a good time to sort through unfinished business and try to bring together the spirituality/action dimensions: the connection between experience of God and an outpouring of compassion. You may want to invite the group to create scenarios about how they think the book should end both ethically and theologically as well as in the plot.
Some questions arising out of the story line:
Is Hank legitimately concerned that his change of heart about the immigrants is merely a personal revulsion to Charlie Snow? Have you ever been moved to an important change of heart, either positive or negative, through a relationship with a person?
Does Maddie's spiritual journey have a parallel in your own life?
The Tombstone study group discusses Christian exclusivism in chapter fifteen. Do you think that Christ is the only way to God?
How does Jerry decide to commit to help Ginger and Maddie with the immigrants? Are you subject to the same kinds of motives?
Should a priest ever develop an intimate relationship with a parishioner? What rules apply and why? How does the old anti-sexuality bias in Christianity come into play here? How do clergy or any adults form and explore new relationships? What do we want as our standard? What do you want to see Jerry do?
In your experience, is it true that "the grace is in the struggle" as Jerry ruminates? (P. 226.)
Jerry reflects on Abutting his nose in@ and playing detective with the vigilantes. Just how much responsibility does any person of faith have when they encounter something that they think is morally wrong? When do we (clergy or lay) slip across the line from concern into meddling in other people's business and lives?
In their conversation about Ginger's absence from her daughters' lives, is Jerry being harsh and insensitive or is he telling Ginger the truth she needs to hear in order for her to heal? What does this conversation say about Jerry's own recovery?
What are the moral implications of the use of illegal immigrants as skilled (or unskilled) workers? How does a rich country cope with the reality of poverty on its borders? Or within its borders? What are the moral imperatives here for Christian people?
Does the conversation between the adults and the children about death and loss resonate with you in your own life?
As you learn more about Ginger's life, do you find her a more or less sympathetic character?
Do you find Ginger's drawing of Jerry and Maddie intriguing? How about Sadie's response to it?
Have you ever known someone like Jillian Curtain—or been like her yourself—protesting too much only to fall into the very moral trap you have laid for yourself? How can Jerry conclude that this might be the best thing that ever happened to her? Is that reaction okay?
What action should the bishop take about Jerry's affair with Kate Becker?
How are Kate and Jerry able to move past the tension in their relationship into a new relational and spiritual space? Where is the grace for Kate Becker in her failed relationship with Jerry? Does that strike a cord in you?
Session Six. Combating Ourselves and Forgiving Our Enemies
Maundy Thursday; Good Friday; Holy Saturday; Easter and Easter Monday
Reading Assignment: Chapters 19-22
Maddie discovers that her short relationship with Cord has resulted in her becoming pregnant, which she welcomes despite its complications. She breaks off her relationship with Cord. She also experiences deeply the combined Passover/Holy Week metaphors and symbols. Sean shows everyone Ginger's drawing of Maddie and Jerry, one that portrays them as an adoring couple, thus becoming a catalyst for their acknowledgment of the bond between them. Ginger decides to push her own religious buttons by attending the Good Friday service at St. Peter's and gets something she hadn't bargained for: being confronted by the very man who raped her and uttered ugly racial slurs at her when she was fifteen. Jillian Curtain is making clear decisions to end her marriage and evidence piles up against Charlie Snow as one of the vigilantes who had shot at Maddie's plane. Charlie's accomplice is identified as Alex Cloud, Hank Tucker's ranch foreman, and Hank's SUV is confirmed as a likely vehicle to have been used in the death of Harold Jenkins and the carload of immigrants. Jerry behaves badly when he learns about Maddie's pregnancy. The darkness of Holy Saturday is compounded by a continuation of the very strong winds that began on Good Friday, paralleling the feelings of the central characters. Maddie has an idea about how to catch and implicate Charlie Snow and Alex Cloud in the illegal vigilantism. Easter Day brings Jerry a change of heart and the first steps of the plot against Alex and Charlie. The fiery climax of the story comes at the Tombstone airport early on Easter Monday.
This wrap-up session will need to tie together all of the theological loose-ends and the unresolved feelings that group members may have discovered in the course of the study group's sessions. In particular it might be fruitful to ask what this year's Lenten journey has meant in their own spiritual lives. The central question, finally, comes down to revenge vs. forgiveness. Group members might be invited to explore times in their lives when they have found it within themselves to forgive someone when revenge might have felt much sweeter-Band to reflect on the spiritual benefits of being forgiving. If group members haven't yet told their own "church story" this would be a good time to invite that, perhaps in small groups, depending on the total size of the study group.
Some questions arising out of the story line:
Which study group would you have preferred to be in? Why? Would one of the groups have been uncomfortable for you to be in? What meaning do you find in that?
Is it okay for Maddie to be happy about her pregnancy? How about keeping the information from Cord?
What did Maddie expect to have happen in the grove of trees? What did happen? Have you ever experienced something like this with someone who has died?
Can you relate to Ginger's experience with the church: joy of belonging, loss and return? Does her story work for you as a "resurrection story?"
What seems to be driving Jillian Curtain?
How do Christian people get past their disappointments and the evil done to them so they can embrace forgiveness—on the receiving end as well as on the giving one?
How good is Maddie's plan to draw in and trap Charlie and Alex? Why does it go so wrong?
Why does Jerry behave so badly toward Maddie and her pregnancy? Is it understandable that he feels the way he does? Were you disappointed in him for his reaction?
Would you like to read a sequel to Flying to Tombstone? What theological and ethical issues should such a sequel address?